There are numerous books located in the Library that will help you in ARTH 1002. After your initial search, under Delivery Format select Physical. (See below for examples).
Print Books
Medieval People: Vivid Lives in a Distant Landscape : from Charlemagne to Piero della Francesca by Michael PrestwichThis engrossing, exquisitely illustrated, often witty account tells the life stories of some seventy individuals who "made" the Middle Ages. There are kings and queens, popes and politicians, soldiers and merchants, scholars, authors and visionaries. They range from the important, such as El Cid or Frederick Barbarossa, to the little known, such as the dissolute Venetian nun Clara Sanuto. Some were astonishingly successful: the empire created by Chinggis Khan was one of the most extensive ever seen. Some, such as Charles the Bold, the over-ambitious 15th-century duke of Burgundy, were failures. Contrary to modern myth, medieval people did not believe the earth was flat; torture was far less common than in later centuries; and technological advances included guns, printing, blast furnaces, spectacles, stirrups and the compass. Full of insights such as these, this book shows how medieval people lived in an era that was more one of invention and innovation than of superstition and backwardness. It will appeal to all those who want a truer picture of a world often erroneously portrayed by bestselling novelists of today.
Call Number: CB351 .P727 2014
The Controversy of Renaissance Art by Alexander NagelMany studies have shown that images—their presence in the daily lives of the faithful, the means used to control them, and their adaptation to secular uses—were at the heart of the Reformation crisis in northern Europe. But the question as it affects the art of Italy has been raised only in highly specialized studies.
The Metropolitan Museum of Art Guide by Thomas P. CampbellThe guide to The Metropolitan’s encyclopedic holdings provides the ideal introduction to almost 600 essential masterpieces from one of the world’s most popular and beloved museums..
Call Number: N 610 .A6744 2012
MORE Print Books
Brushed Aside by Noah Charney; Ingrid Rowland (Foreword); Marina Abramovic (Afterword)Discover anew the herstory of art that Publishers Weekly calls "illuminating" and Foreword Reviews calls "spirited" for an enlightening art history read. How many female artists can you name? Frida Kahlo, Georgia O'Keeffe, Marina Abramovic? How about female artists who lived prior to the Modern era? Maybe Artemisia Gentileschi and then... even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers? This book provides a 360 degree look at the role, influence, and empowerment of women through art--including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, "Why Have There Been No Great Women Artists?" This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.
Call Number: N5303 .C49 2023
Publication Date: 2023-10-15
Archive of the World: Art and Imagination in Spanish America, 1500-1800 by I. Katzew (Editor); E. J. Sullivan (Interviewer)Including textiles, paintings and decorative arts, Archive of the World offers a lucid alternative to traditional interpretations of art from the so-called New World Exquisitely illustrated with new photography, this stunning book represents the first comprehensive study of LACMA's notable holdings of Spanish American art. Following the arrival of the Spaniards in the Americas in the 15th century, the region developed complex artistic traditions that drew simultaneously on Indigenous, European, Asian and African art. In 1565 the Spaniards conquered the Philippines, inaugurating a new commercial route that connected Asia, Europe and the Americas. Private homes and civic and ecclesiastic institutions in Spanish America were filled with imported and locally made objects. This confluence of riches signaled the status of the Americas as a major entrepôt--what one contemporaneous author described as "the archive of the world." Many works created in Spanish America were also shipped across the globe, attesting to their wide appeal. Arranged into five thematic sections, the volume features a conversation about LACMA's collection and nearly 100 catalog entries by various scholars, including Pablo F. Amador Marrero, Aaron M. Hyman, Rachel Kaplan, Paula Mues Orts, Jeanette F. Peterson, Elena Phipps, Maya Stanfield-Mazzi and Luis Eduardo Wuffarden, among others. These authoritative texts offer multiple access points to appreciate the material, aesthetic and historical aspects of the works, providing a lasting reference in this increasingly influential area of art history.
Call Number: N6502.2 .A73 2022
Sins of the Shovel: Looting, Murder, and the Evolution of American Archaeology by Rachel MorganAn incisive history of early American archaeology--from reckless looting to professional science--and the field's unfinished efforts to make amends today, told "with passion, indignation, and a dash of suspense" (New York Times). American archaeology was forever scarred by an 1893 business proposition between cowboy-turned-excavator Richard Wetherill and socialites-turned-antiquarians Fred and Talbot Hyde. Wetherill had stumbled upon Mesa Verde's spectacular cliff dwellings and started selling artifacts, but with the Hydes' money behind him, well--there's no telling what they might discover. Thus begins the Hyde Exploring Expedition, a nine-year venture into Utah's Grand Gulch and New Mexico's Chaco Canyon that--coupled with other less-restrained looters--so devastates Indigenous cultural sites across the American Southwest that Congress passes first-of-their-kind regulations to stop the carnage. As the money dries up, tensions rise, and a once-profitable enterprise disintegrates, setting the stage for a tragic murder. Sins of the Shovel is a story of adventure and business gone wrong and how archaeologists today grapple with this complex heritage. Through the story of the Hyde Exploring Expedition, practicing archaeologist Rachel Morgan uncovers the uncomfortable links between commodity culture, contemporary ethics, and the broader political forces that perpetuate destructive behavior today. The result is an unsparing and even-handed assessment of American archaeology's sins, past and present, and how the field is working toward atonement.
Call Number: CC101.U6 M67 2023
Mexican Muralists: Orozco, Rivera, Siqueiros by Desmond RochfortLos tres grandes: Jose Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. Now legendary, these men have emerged as the most prominent figures of the famed Mexican mural movement, which lasted from the '20s through the early '70s and was hailed as the most significant achievement in public art of the 20th century. The dramatic story of the movement is told here in a fascinating history of the artists, accompanied by over 100 spectacular color reproductions of the murals. Showcasing popular as well aslesser-known works from around the US and Mexico, this is the first high-quality paperback to do justice to a subject that will captivate every lover of Mexican art and culture, Rivera fan, and art historian, as well as anyone who appreciates a beautiful, intelligent art book.
Call Number: ND2644.R594 1998
A People's Art History of the United States by Nicolas LampertA People's Art History of the United States starts at the bottom and places art and the history thereof squarely in the rough-and-tumble of politics, social struggles and the fight for justice from the colonial era through the present day. In this politically-charged narrative, author and radical artist Nicolas Lampert combines historical commentary with detailed examinations of individual artists and their works. The book spans the conquest of the Americas, the American Revolution, slavery and abolition, women's suffrage and feminism, civil rights and much more.
Call Number: N 72.P6 L37 2013
The Content of Our Caricature by Rebecca WanzoWinner, 2021 Katherine Singer Kovács Book Award, given by the Society for Cinema and Media Studies Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States. Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.