Examples of Relevant Print Titles
The Aztec Pantheon and the Art of Empire by
When the Aztec Empire emerged to dominate central Mexico from 1460 to 1519, vast amounts of tribute wealth flowed into the capital city of Tenochtitlan, enabling artists and architects to create sophisticated works on a monumental scale. Confronting a civilization without precedent, some Spanish conquistadors and missionaries looked to the classical past for explanations and parallels were drawn between two great empires--the Aztec and the Roman. While many studies dwell on the Aztec gods and the bloody rituals performed in their honor, this groundbreaking book examines little-known episodes in which classicism mediated a dialogue both within and between Mesoamerica and Spain. The authors engage contemporary approaches to cross-cultural analogy, shedding light on the function of monumental arts and religious spectacles and consciously classicizing traditions within empires. A foreword by Leonardo Lopez Lujan, director of the Proyecto Templo Mayor, places the comparison of Aztec and Roman empires in historical context. The publication accompanies an exhibition celebrating the bicentennial of Mexican Independence on view from March 25 to July 5, 2010, at the J. Paul Getty Museum at the Getty Villa.
Call Number: F1219.76.R45 P64 2010ISBN: 9781606060070Publication Date: 2010-04-20
Roman Britain by
Placing the Roman conquest and occupation within the context of Romano-British society, this book incorporates the latest discoveries in order to reveal how Roman society in Britain functioned.
Call Number: DA145 .D46 2006ISBN: 9780500051405Publication Date: 2006-04-01
Gothic by
A provocative and contrarian religious history that charts the rise of Christianity from the point of view of traditional" religion from the religious scholar and critically acclaimed author of Augustine. Pagans explores the rise of Christianity from a surprising and unique viewpoint: that of the people who witnessed their ways of life destroyed by what seemed then a powerful religious cult. These "pagans" were actually pious Greeks, Romans, Syrians, and Gauls who observed the traditions of their ancestors. To these devout polytheists, Christians who worshipped only one deity were immoral atheists who believed that a splash of water on the deathbed could erase a lifetime of sin. Religious scholar James J. O'Donnell takes us on a lively tour of the Ancient Roman world through the fourth century CE, when Romans of every nationality, social class, and religious preference found their world suddenly constrained by rulers who preferred a strange new god. Some joined this new cult, while others denied its power, erroneously believing it was little more than a passing fad. In Pagans, O'Donnell brings to life various pagan rites and essential features of Roman religion and life, offers fresh portraits of iconic historical figures, including Constantine, Julian, and Augustine, and explores important themes--Rome versus the east, civilization versus barbarism, plurality versus unity, rich versus poor, and tradition versus innovation--in this startling account.
Call Number: N6310 .K8613 2007ISBN: 9780841600683Publication Date: 2008-02-20
Introduction to Italian Sculpture, Volume II by
First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpturestill stands as the definitive introduction to the subject. A triumph of clear organization, sustained critical scholarship and certain aesthetic judgement, its three volumes bring order to a huge mass of material, and present a magisterial survey of one of the most creative phases in Western art. These books have long been indispensable for scholars, students, curators, collectors and dealers. For the fourth edition of this great work, the text has been revised and updated, and new notes and bibliographies have been added. The design has been dramatically transformed, with all the illustrations now appearing in a single sequence integrated with the narrative text. Many new photographs have been obtained, and duotone printing has been used to achieve the highest possible quality of reproduction. This classic work is now reissued in this paperback edition, at a price that will make it also available to students and a wider public.
Call Number: NB614 .P6 1985 PT.2ISBN: 9780714838823Publication Date: 2000-02-03
Sculpture in Stone by
Art teachers, students, and ambitious amateurs all will value this copiously illustrated volume. It presents both a general overview of sculpture and a practical guide to working in stone. All important stone-working equipment and tools are shown, from compass and calipers to chisels, mallets, saws, sanders, and drills. Examples of finished pieces are shown from all over the world, and cover many historical eras, including statues and relief carvings from ancient Egypt and the Orient, marble masterpieces from the Italian Renaissance, and abstract figures from the modern era. Different types of stone are shown and described, including alabaster, most often used in small-scale pieces, as well as sandstone, granite, and marble. Practical instruction includes methods of measuring and copying in stone from a clay model. Step-by-step photo essays show several different contemporary works in progress, starting with a rough stone slab and progressing to completion and installation of a finished sculpture. Examples range in scale from small figurines to public monuments. Hundreds of full-color photos show the artist's studio, the processes of stone working, and magnificent examples of world famous artworks in stone. Other informative features include a six-page glossary of stone-working terms and a brief bibliography. Here is a fine reference volume for artists and craftsmen--but also a book for the personal library of every general reader who has an interest in sculpture and the fine arts.
Call Number: NB1280 .S32 2001ISBN: 9780764154249Publication Date: 2001-10-01
Romanesque Art by
The Romanesque period was during the high Middle Ages, and is so called because of its use of that typical classical Roman architectural device - the arch. The text looks mainly at architecture, starting off with a section on building styles, and then each chapter takes you off round Europe and Scandinavia to see the results. Stunning photographs on almost every page, most of which have been commissioned exclusively for this volume, and the sculpture offers a remarkable insight into the lives, hopes and fears of the times.
Call Number: N6280 .R66 1997ISBN: 9783895084478Publication Date: 1998-05-01
History of Modern Art: painting, sculpture, architecture, photography by
Authoritative and insightful, Arnason's History of Modern Art remains the definitive source of information on the art of the Modern Era from modernism's mid-nineteenth century European beginnings to today's divergent art trends. Now full-color throughout, this Fifth Edition has been completely redesigned to make it even more elegant and easy-to-use. New heads, subheads, and a glossary have been added to help the reader navigate the material and quickly identify areas of interest.
Call Number: N6490 .A713 2004Publication Date: 2003-10-13
Alloys: American Sculpture and Architecture at Midcentury by
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings' highly visible and well-traversed threshold spaces. The parameters of these spaces--atriums, lobbies, plazas, and entryways--led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art's ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era's most notable spaces--Philip Johnson's Four Seasons Restaurant in Mies van der Rohe's Seagram Building, Max Abramovitz's Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius's Pan Am Building--would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture's relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
Call Number: NB212.5.M63 S85 2022ISBN: 9780691215778
Corn Palaces and Butter Queens by
Teddy Roosevelt's head sculpted from butter. The Liberty Bell replicated in oranges. The Sioux City Corn Palace of 1891 encased with corn, grains, and grasses and stretching for two city blocks--with a trolley line running down its center. Between 1870 and 1930, from county and state fairs to the world's fairs, large exhibition buildings were covered with grains, fruits, and vegetables to declare in no uncertain terms the rich agricultural abundance of the United States. At the same fairs--but on a more intimate level--ice-cooled cases enticed fairgoers to marvel at an array of butter sculpture models including cows, buildings, flowers, and politicians, all proclaiming the rich bounty and unending promise held by the region. Often viewed as mere humorous novelties--fun and folksy, but not worthy of serious consideration--these lively forms of American art are described by Pamela H. Simpson in a fascinating and comprehensive history. From the pioneering cereal architecture of Henry Worrall at the Philadelphia Centennial Exposition to the vast corn palaces displayed in Sioux City, Iowa, and elsewhere between 1877 and 1891, Simpson brings to life these dazzling large-scale displays in turn-of-the-century American fairs and festivals. She guides readers through the fascinating forms of crop art and butter sculpture, as they grew from state and regional fairs to a significant place at the major international exhibitions. The Minnesota State Fair's Princess Kay of the Milky Way contest, Lillian Colton's famed pictorial seed art, and the work of Iowa's "butter cow lady," Norma "Duffy" Lyon, are modern versions of this tradition. Beautifully illustrated with a bounty of never-before-seen archival images, Corn Palaces and Butter Queens is an accessible history of one of America's most unique and beguiling Midwestern art forms--an amusing and peculiar phenomenon that profoundly affected the way Americans saw themselves and their country's potential during times of drought and great depression.
Call Number: NA6750.A2 U6 2012ISBN: 0816676208Publication Date: 2012-04-17
